· Group
A – people in
highly paid jobs, including politicians, bank and large business managers,
doctors, lawyers, scientists and well-paid professionals.
· Group
B – people who are
still well paid, but not as well off as people in Group A, including teachers,
middle managers and civil servants.
· Group
C1 - includes
junior managers, bank clerks, nurses and others in ‘white collar’ professions,
who have a certain skill
· Group
C2 – includes ‘blue
collar’ and skilled trades, such as electricians, plumbers, carpenters &
gas technicians
· Group
D – people who
complete manual work such as builders, drivers and post office sorters
· Group
E – includes people
who are on very low/no income, such as the young, the elderly and people who
are unemployed
The killer in our production, James, could quite easily be
compared to Jason Bourne, who starred in all three films in The Bourne
Supremacy. James’s role in our production was to play the role of a typical
villain – the killer. However, we wanted the killer to be portrayed as quite a
calm and collected person – perhaps someone who is quite philosophical, doesn’t
rush into things, and thinks long and hard about what something before he
actually does it. For example, our group decided that after James had strapped
Annabelle to the railway line, he would be the sort of character who would not
run off from the scene, and instead who would walk off in a calm manor.
In a lot of the thrillers we have watched, males are usually
considered to be the killers, as stereotypically, men are the gender who are
considered to be powerful and strong. In addition, James is a young teenager,
and men who are quite young, perhaps under 40, are the people who usually kill
people.
We wanted James to be wearing something that a typical killer
would be seen in. We decided that he would wear a black balaclava, to ensure
that his face would be hidden from his victim, creating an element of
mystery. In all of the films we have
studied, the killers usually wear black clothing, which symbolises danger and
death. In a similar way, mid and long shots were usually used to film this
character, to try and hide his identity from the audience, which again, creates
the element of mystery and unknown. However, when James revealed himself to our
victim, a close up shot-reverse-shot was used to film this, as it allowed the
audience to relate with the character, and also showed the emotion of both of
the characters.
James used a gag to tie Annabelle’s mouth up with during
filming. This was a significant prop, as it made Annabelle helpless and unable
to move, which made her seem vulnerable, and allowed the audience to feel
sympathy for her. Also, James used some rope to tie Annabelle down to the train
track with, and this was a good prop for him to use, as many may associate a
rope with being helpless and in danger.
Because of the budget our production was made on, we did not
need to use make up or lighting for this character.
Our second main actor, Annabelle Potts, played the role of
the victim in our production. We wanted someone to take this part on who could
use good facial expressions, and who would look very innocent when waiting for
the train to come. She could be likened to the woman was in the shower scene
from Hitchcock’s Psycho film.
Typically in the films that we have watched, females are the
victims, as they are usually seen as being a less dominant gender in society.
Also, the age of Annabelle fitted in with our plot - it is entirely plausible
that Annabelle and James could be cousins. Furthermore, Annabelle’s slim figure
made it easy for James to lift her over his shoulder in some scenes!
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